Manchester United manager Jose Mourinho denied that his job is on the line as his team prepares to take on Valencia in a testing Champions League fixture on Tuesday.Mourinho, who has been under the hammer after United’s disastrous to the campaign, feels that his job is safe but some of his players care more about the club and what is happening than others.United have struggled to put together good performances and have collected just 10 points from their first seven Premier League games and have also been knocked out of the League Cup by second-tier club Derby County.The tumultuous start has also been reflecting off the field as reports of the manager and the mercurial Paul Pogba having a bad relationship have dominated the headlines ever since. Mourinho has been extremely critical of the Frenchman and also stripped him off vice-captaincy. Since then, many are also of the belief that he has lost his dressing room and the third season syndrome is back.They did, however, secure an easy 3-0 victory over Young Boys in their first Champions League group match and on Tuesday, Mourinho’s team will have to face a much tougher opponent in Valencia.But the Portuguese coach was in a confident mood on Monday and when asked at a news conference if he felt his job was on the line, he simply answered: “No, I don’t.”Media reports following United’s 3-1 league defeat at West Ham United on Saturday linked former Real Madrid coach Zinedine Zidane with Mourinho’s job.advertisementAsked if he had spoken to the club’s executive vice-chairman Ed Woodward following Saturday’s loss, Mourinho gave a tetchy reply.”That’s a private matter. I’m not asking you who did you speak with yesterday or this morning, who was your last phone call, that’s a private matter. I’m not going to answer it,” he said.The West Ham defeat drew sharp criticism from defender Luke Shaw who said United needed to take responsibility for the “horrendous” result.Mourinho said it was down to more than just the players to turn the situation around.”The performance on the pitch is the consequence of many factors,” he said.”Luke Shaw for example said ‘we players on the pitch have to give more’. I like that perspective but I don’t agree totally. Everyone at the club has a role to play. The kit man, the nutritionist. I have a role to play, everyone has a role to play.”I think that some care more than others,” he added.Tuesday’s match at Old Trafford could be a good opportunity for United to bounce back against a Valencia side who have one win in eight matches in all competitions this season, although that came against Real Sociedad on Saturday.United go into the game depleted as Ashley Young picked up an injury during the loss at West Ham, while Marcos Rojo, Ander Herrera and Jesse Lingard are also sidelined.Midfielder Nemanja Matic said the West Ham defeat was one of his worst games for United.”Everyone has a responsibility,” he said. “We have spoken between us and we know the situation is not good and we can do better. Everyone is trying to do more for the team.”Tomorrow is a great chance to do that against a big team. I expect everyone will give more and be more concentrated.”(With inputs from Reuters)
The Vision 2030 Jamaica Secretariat has completed work to develop the fourth Medium Term Socio-Economic Policy Framework (MTF), which underpins implementation of the country’s long-term National Development Plan.Programme Director for the Secretariat, which is based in the Planning Institute of Jamaica (PIOJ), Elizabeth Emanuel, says the document, which covers 2018 to 2021, has been reviewed by a wide range of stakeholders and will shortly be presented to Cabinet for review and approval.The Vision 2030 Jamaica – National Development Plan seeks to position the island to attain developed country status within 12 years and, in the process, make it the place of choice to live, work, raise families and do business.Speaking at the PIOJ’s quarterly media briefing at the Institute’s New Kingston head office on Wednesday (November 20), Mrs. Emanuel noted that the progress of Vision 2030 Jamaica’s implementation under successive three-year MTFs, between 2009 and 2018, was “mixed”.She pointed out that while there were challenges with crime and environmental sustainability, among other issues, there were improvements in key social and economic indicators.These, she informed, include: life expectancy at birth; the annual inflation rate; literacy rates; government effectiveness; and sustainable development planning.The Programme Director said Jamaica recorded gains in several notable areas between 2015 and 2018.These relate to human capital development; macroeconomic stability; a reduction in unemployment; increased use of renewable energy options; improved governance, particularly in relation to control of corruption, and government effectiveness; key economic sectors, particularly agriculture and tourism; and infrastructural development.“Of a total of 67 indicators that were monitored against medium-term targets under Vision 2030 Jamaica, 56 per cent have shown improvement over the baseline year 2007, based on results to 2017/18, while 36 per cent showed no improvement or worsened relative to the baseline year,” Mrs. Emanuel said, while noting that no up-to-date information/data was available for the remaining eight per cent.She advised that eight national strategic priorities have been shortlisted under the 2018-2021 MTF, in keeping with Vision 2030 Jamaica’s four Goals.These priorities are human capital development; social protection and social inclusion; values and attitudes; rule of law and timely justice; public-sector efficiency and effectiveness; economic stability, growth and employment; international competitiveness of industry structures; and environmental sustainability and climate change response.“These strategic priorities, along with their associated projects, programmes and activities, will assist in moving Jamaica towards a secure and prosperous future for our people,” Mrs. Emanuel said.The National Goals aim to ensure ‘Jamaicans are Empowered’; ‘The Jamaican Society is Secure, Cohesive and Just’; ‘Jamaica’s Economy is Prosperous’; and that ‘Jamaica has a Healthy and Natural Environment’.
zoomImage Courtesy: Pixabay (Pixabay License) Senior United States Senator from Utah, Michael Lee, has introduced the Open America’s Water Act of 2019, a bill which would repeal the Jones Act and allow all qualified vessels to engage in domestic trade between U.S. ports.“Restricting trade between U.S. ports is a huge loss for American consumers and producers. It is long past time to repeal the Jones Act entirely so that Alaskans, Hawaiians, and Puerto Ricans aren’t forced to pay higher prices for imported goods—and so they rapidly receive the help they need in the wake of natural disasters,” Lee explained.In 1920, Congress passed the Jones Act, which requires all goods transported by water between U.S. ports to be carried on a vessel constructed in the U.S., registered in the U.S., owned by U.S. citizens, and crewed primarily by U.S. citizens.The Cato Institute estimates that after accounting for the inflated costs of transportation and infrastructure, the forgone wages and output, the lost domestic and foreign business revenue, and the monetized environmental toll the annual cost of the Jones Act is in the tens of billions of dollars. And that figure doesn’t even include the annual administration and oversight costs of the law.
SURREY, B.C. — Conservative Leader Andrew Scheer says the prime minister damaged the integrity of Canada’s immigration system when he tweeted two years ago that Canadians will welcome all those fleeing persecution, terror and war.Scheer was asked about illegal immigration today at a town hall in suburban Vancouver held by the Surrey Board of Trade, where audience members applauded his response.He says people crossing the U.S. border into Canada outside regular checkpoints are “jumping the queue” and causing longer wait times for refugees and immigrants going through traditional channels.The federal government says 34,854 refugee claims were made by irregular border crossers between February 2017 and September 2018 and of those 3,142 — or nine per cent — have been accepted.Prime Minister Justin Trudeau recently warned people to be wary of fear-mongering about immigration, suggesting the issue will be a hot-button topic during the federal election campaign this fall.The Canadian Press
2. Measuring the performance and sustainability (with higher renewal rates) of native campaigns is difficultAs of now, the average renewal rate for brands to buy ads on a site two months after running a campaign is 40 percent.Publishers have found that measuring campaign success with branded content isn’t simply a matter of impressions or clicks. Success doesn’t always come in a standard measurement across campaigns, but there will be metrics and a report card at the end of the flight. It’s important for content providers to get creative when proving their ROI.For example, Nike’s marketing of Colin Kaepernick led to increased store traffic and higher online sales. Barron’s reported that Nike saw a 31-percent increase in sales the week after Kaepernick was announced as the latest face of the company’s long-running “Just Do It” campaign. So yes, sales matter. There are also measures for gauging perception and awareness, before and after a campaign. MediaRadar has learned many companies are using Catalina or iRI for measuring CPG sales in supermarkets to help show the impact of native content. 1. Few media firms stand out when it comes to native content.MediaRadar CEO, Todd Krizelman, hosted two recent panels discussing native content. In both cases, the speakers agreed they should not differentiate their native advertising offerings by using a lower price. They use other differentiators like audience, brand safety, and creative execution to make their branded content stand out. Using key differentiators beyond price will win more business.Some groups, like Meredith Corp., have uncovered at least one additional element that makes their offering unique. It has developed competency in making its content “shoppable.” For example, inside online recipes, users can find a link to purchase the ingredients. Publishers should aim to be more innovative like Meredith. Recently, MediaRadar published a trend report about native advertising. Every day, we see custom content weaving its way into just about every form of consumable content. Native continues to be one of the most popular methods in which advertisers can engage with their audiences digitally.Last year, native advertising spend was more than any other form of display advertising and, in the first half of 2018, new advertisers began using native advertising every month (read the full report here).Recently, however, it looks like the market is plateauing. Roughly 11 percent of online advertisers use native advertising formats now, and brands that buy native ads only run them across 10 percent of the total number of sites that they advertise on. Why is this happening?Here are nine fast facts to keep in mind as you sell custom content: 8. The number of firms receiving RFP’s for native content is decreasing.Recently, MediaRadar met with a dozen media buyers at major agencies. In this room of buyers, there was a refreshing and specific consensus surrounding the number of RFPs being submitted for native content. This group feels that the number of RFPs is not declining, but that the number of firms receiving them is.Many agencies like to work with firms that can offer “One-Stop Shopping” for branded content. They want to work with a publisher who has the capacity to deliver a unified solution across media formats (desktop, mobile, email, experiential, etc.). 3. Crafting native content takes a lot of time and effort.A great story and design require both time and talent to produce. Neither of these are areas that advertisers and content creators can afford to overlook. The actual process of crafting a native ad or campaign is a costly, multistep process, involving a lot of collaboration and rounds of review, done over a long period of time. 9. The consolidation of in-house studios seems inevitable.Branded content studios exist within publishing houses to help create native ads, branded content, traditional ad assets, editorial content with a twist, and more. But, with the boom in the number of in-house studios for advertisers to choose from, consolidation seems inevitable.Publishers are bound to pool their creative resources together. In a recent Adweek panel, Chief Revenue Officer (CRO) of BuzzFeed, Lee Brown, predicted that “in the next 12 months, you’re going to see a massive amount of consolidation.” 7. RFP’s can be really important to a publisher’s native content business.RFP’s are very important to a national consumer publisher’s business. Native advertising has proven not to be an exception, as publishers see up to 95 percent of their content business originates from an RFP. The RFP may originate from the brand or the agency. This may be a surprise, since many have contended that the RFP is dying (here, here, here, and here).Yet, while RFPs remain popular in the national consumer media space, it is felt that they are a poor fit for native advertising. Generally, publishers should respond within 24 to 72 hours from receiving the RFP. Since most branded content projects are quite customized and involved, having just three business days isn’t long enough to come up with a great pitch. 4. Native advertising has the potential to be too discrete.Audiences don’t want to be disrupted by ads, but they also don’t want to be duped into believing that an advertisement is anything other than what it is. Consumers should only be exposed to online advertisements that are fair, clear, and engaging. To avoid the possibility that native advertising dupes its consumers, know how to spot native advertising. The FTC also generated a Native Advertising Guide, a manual instructing advertisers and publishers on how and when to use certain terminology and obvious labels in its ads to not deceive its viewers. 5. Custom content is more trustworthy than traditional advertising.According to a Time Inc. study, two in three Gen-Z, Millennials, and Gen-X consumers trust branded content more than traditional advertising. As a more visually inclined generation, Gen-Z is open to engaging with custom content because, compared with traditional ads, it’s more entertaining, thought-provoking, and leaves a lasting impression. 6. Pitch native content directly to the client, not to their agency.There is often a “much, much better understanding” of what the business needs are when talking directly to a client. It is felt that agencies are time-strapped and less plugged-in when it comes to native advertising. Also, it makes a publisher look good when they take a big idea to the client to make sure it really was heard.Success rates vary by publishing house, however. A national women’s publishing group reports that 60 percent of its business originates from the brand directly. A large regional newspaper shared with MediaRadar that their ratio was closer to 50/50 while a niche travel website and magazine reports that it wins the most business directly from clients (90 percent). Native advertising is still successful, despite its recent plateau. That’s why it’s important for publishers to identify opportunities with native in 2018 like finding more unique ways to produce native ads that will make them stand out from their competition and more.To get an even more in-depth analysis of this native advertising trend, be sure to read MediaRadar’s In-Depth Look Into the Current State of Native Advertising.
‘Pronounced Jah-Nay’ At 25: Zhané’s Renée Neufville & Jean Norris Look Back On Their Classic R&B Debut Zhané’s ‘Pronounced Jah-Nay’ Turns 25 pronounced-jah-nay-25-zhan%C3%A9s-ren%C3%A9e-neufville-jean-norris-look-back-their-classic-rb Email Facebook Twitter News The onetime duo reminisce about their 1994 Motown debut, which featured the hit single “Hey Mr. D.J.” and is still remixed todayLakeia BrownGRAMMYs Feb 18, 2019 – 11:04 am 25 years ago this month, Renée Neufville and Jean Norris released Pronounced Jah-Nay, an R&B masterpiece and timeless body of work rooted in jazz, blues, hip-hop, soul and love. Yes, love. A love of music, artistry, words and self. The certified-platinum album was both futuristic and vintage in its versatility, astonishing vocal range, composition and overall musicianship, easily making it a cornerstone of what would soon emerge as neo-soul.In 1994, R&B groups were a dime a dozen. A new duo or group popped up often, promising to leave an imprint on our souls or make us dance, at the very least. It was difficult to differentiate one from another and then there was Zhané, whose French name is a combination of “Jean” and “Renée” but with a “Z” added for color.”It wasn’t our intention to create a timeless classic album,” says Renée, who wrote much of the album including “Sending My Love” and “Changes.””Stylistically, I love the classics, and I thought it was wise to not chase the trend, but keep the direction of the songwriting neutral so it wouldn’t swing too left or too right.”While the music was neutral, their look was anything but. Two beautiful young women, one whose skin had darker hues, the other light. One tall, the other petite. The glaring differences created a gorgeous balance for the two students who had met at Temple University. Their sultry sound coupled with their unique look grabbed the attention of many including Kay Gee, DJ and member of the GRAMMY Award-winning hip-hop group Naughty by Nature. This relationship led to Zhané’s first hit single, “Hey Mr. D.J.,” which was released on Roll Wit tha Flava, a compilation album from Queen Latifah’s Flavor Unit Records. The certified-gold single married New Jersey hip-hop to Philly soul. “The song was refreshing,” says Jean. “It was feel good music with a coming-of-age sound.” That powerhouse-groove track helped Zhané negotiate a record deal, ultimately landing at Motown. “We had already proven that we could make a hit song,” says Jean.Zhané didn’t just create one hit song; the 13-track album was full of magic. Pronounced Jah-Nay garnered three certified hits, “Hey Mr. D.J.,” “Groove Thang” and “Sending My Love.” Executive produced by Zhané and Kay Gee, the album hit a cultural chord, creating a space for young fans to not just dance but reflect, grow, love and contemplate. It was “grown folk” music for the young and young at heart. “Kay Gee helped provide the edge we needed to appeal to a younger audience without us sounding too mature,” Renée told us. “I was very grateful to him for that.” While the songs that hit radio waves were well-received classics (“Sending My Love” is the most licensed song from the album), the B-side tracks were arguably the strongest. Songs like “La, La, La,” “Sweet Taste of Love,” “Off My Mind,” and “For A Reason” were masterpieces—complete with perfect riffs, harmonies, notes, range, lyrical composition and a teaspoon of pain.It is remarkable that the then-20-somethings created a classic R&B album with such poignant lyrics. Renée says they pulled from their own experiences when writing. “‘Sending My Love’ was personal. It was about my first love and what I was going through at the time,” she says. “[The songs] “‘Changes’ and ‘Love Me Today’ were about that same guy.” And that is what makes a classic piece of work: The authenticity, human emotions and shared experiences that connects us all. Lyrics that go deep, feelings that run the gamut, melodies that reach heaven and passion that is unmeasurable is what defines timeless music. “There are younger people discovering our music and creating remixes,” says Jean. “Jaguar out of Philly reached out to me recently and told me a young artist in France rhymed over ‘Sending My Love,’ so the music continues to live on, which is an honor.” That same love allows Zhané to sing their music even today. “I still love every song,” Renée says. “I will never grow tired of them. How can you be tired of the gifts God gave you?”Jean and Renée have given fans several gifts since Pronounced Jah-Nay, including the duo’s sophomore project, Saturday Night in 1997. Both artists have gone on to record and release music, Jean with her husband Marcus (they received a GRAMMY nomination in 2018 for Best Jazz Vocal Album and Best Traditional R&B Performance) and Renée as a solo artist and collaborator.But will they ever sing together again? It might not happen anytime soon. “There are no hard plans right now,” says Jean. “But I think it’s something that needs to happen at some point.” Read more
WILMINGTON, MA — State Representative Ken Gordon (D-Bedford), who represents Precinct 3 in Wilmington as well as all of Burlington and Bedford, will host his upcoming office hours on Saturday, September 7, 2019, from noon to 1pm, at As Good As It Gets (35 Lowell Street) in Wilmington.Gordon will be available to answer questions and to listen to concerns and ideas from constituents of the district. To reach the representative directly, please call his State House office phone number, (617) 722-2017, or send an email to Kenneth.Gordon@mahouse.gov.(NOTE: The above announcement is from State Rep. Ken Gordon’s Office.)Like Wilmington Apple on Facebook. Follow Wilmington Apple on Twitter. Follow Wilmington Apple on Instagram. Subscribe to Wilmington Apple’s daily email newsletter HERE. Got a comment, question, photo, press release, or news tip? Email email@example.com.Share this:TwitterFacebookLike this:Like Loading… RelatedState Rep. Ken Gordon To Hold Office Hours On June 15 At As Good As It GetsIn “Government”State Rep. Ken Gordon Provides Updates On State Budget; New Shuttle Bus Service; Hanscom Air Force Base & MoreIn “Government”State Rep. Ken Gordon Announces He’s Running For Re-ElectionIn “Government”
You, an astronomer: Look at this majestic black hole!Me, a birder: oh. oh no pic.twitter.com/yZT97JKFZO— Rosemary Mosco (@RosemaryMosco) April 10, 2019 Online Sci-Tech Cosmic dead ringers: 27 super strange-looking space objects 0 #BlackHole Katamari sun pic.twitter.com/YZqFRIT6wN— marisa losciale (@marisalosc) April 10, 2019 First-ever photo of a Black Hole (2019)Captured by Event Horizon Telescope.TWIN PEAKS. Part 8. “Gotta Light?” (2017)Directed by David Lynch.#EHTBlackHole #M87 #NASA #TwinPeaks pic.twitter.com/YO48WPQi3y— Black Lodge Cult (@BlackLCult) April 10, 2019 Now playing: Watch this: used Photoshop’s shake reduction filter on the Black Hole photo and was amazed by the result#EHTBlackHole pic.twitter.com/RLBPyuIx3T— Paul Scott Canavan (@abigbat) April 10, 2019 How black holes swallow light, warp space-time and blow… But the black hole is giving us more than just the evil eye. It also resembles certain breakfast foods. Artist Paul Scott Canavan says he used Photoshop’s shake reduction filter to clarify the picture. What he got was a cosmic doughnut. This photo of the black hole is awesome, but wait… Enhance! Hmm, enhance! One more time, enhance! Whoa. The biggest Cinnamon Raisin Bagel in the world, and it’s still hot! #EHT #EventHorizonTelescope pic.twitter.com/aPDVtLHF2u— Gabor Heja (@gheja_) April 10, 2019 Space So, here’s the first photo ever taken of a black hole. And also here’s the album cover for Soundgarden “Superunknown”, which contained the song “Black Hole Sun” 🤯#EHTBlackHole pic.twitter.com/m7zUQYIUmR— José Morales-González (@josemorgo) April 10, 2019 Share your voice Twin Peaks fans found a parallel image in director David Lynch’s return series. I see Disney’s remake of THE BLACK HOLE has finally escaped development hell. pic.twitter.com/YZMlGFqCUT— Phillip Bastien (@PABastien) April 10, 2019 Science cartoonist and author Rosemary Mosco is a birder. She sees a bird’s eye. 6:32 Enlarge ImageOn April 10, Event Horizon Telescope researchers unveiled the first direct visual evidence of a supermassive black hole and its shadow. National Science Foundation Behold the majesty of science. We’ve just seen the first ever image of a black hole. Now let’s make silly jokes about it.The Event Horizon Telescope project, which consists of an international network of radio telescopes, revealed a mind-blowing glimpse of an actual black hole on Wednesday. It looks like a fuzzy lopsided circle with a gradation of red, orange, yellow and white colors with a dark center. The black hole picture is shaping up to be a Rorschach test. What you see will depend on your hobbies and interests, and just how hungry you are when you’re looking at it. Originally published April 10, 8:48 a.m. PT. Update, 2:23 p.m. PT: Added Google’s black hole doodle. System administrator Gabor Heja went in a less sugary direction and discovered the black hole is actually the biggest cinnamon raisin bagel in the world, and it’s still hot. Google couldn’t resist getting in on the fun. It launched a Google Doodle featuring an animation of the black hole sucking down the Google letters.Enlarge ImageGoogle unveiled an animation of the black hole in action. Google screenshot by Amanda Kooser/CNET Children of the ’90s now all have the 1994 Soundgarden hit Black Hole Sun stuck in their heads. Twitter user José Morales-González noticed a certain likeness between the Event Horizon image and the cover for Soundgarden’s Superunknown album. Rumors of a reboot of Disney’s 1979 sci-fi flick The Black Hole are getting a fresh look. “I see Disney’s remake of The Black Hole has finally escaped development hell,” tweeted screenwriter Phillip Bastien. Firefox communication design lead Sean Martell noticed a very familiar logo lurking in the black hole’s bright circle. 27 Photos Tags So NASA finally let us see what a #BlackHole looks like and it was the Eye of Sauron this whole time. pic.twitter.com/0QYJtsi20j— Andrew Athias (@AndrewAthias) April 10, 2019 Post a comment If you’ve ever played the Katamari Damacy games, you’ll appreciate this joke: At first glance, every hobbit-loving Lord of the Rings fan noticed the black hole’s resemblance to the Eye of Sauron. They’ve found our origins, @Firefox. #EHTBlackHole pic.twitter.com/3k0IqjNXsZ— mart3ll+ (@mart3ll) April 10, 2019
Singapore based low-cost airliner Tiger Asia has gone for an image makeover changing its name to ‘Tigerair’ along with a brand new logo.”We have initiated a series of changes since late last year, and this brand identity should be seen as a reinforcement of our commitment towards a better and bolder Tigerair,” said Koay Peng Yen, Group CEO of Tiger Airways Holdings, on the rebranding.The new look has the airliner dropping the ‘leaping tiger’ logo for a suave ‘Tigerair’ font with a blush of orange accents to give it a contemporary feel.According to the company, the “fresh and upbeat look” embodies its “brand personality of (being) warm, passionate and genuine.”Dr Seshan Ramaswami, associate professor of marketing education at Singapore Management University, said the new look is a welcome change from the older tiger leaping logo which he felt was “a little brash” and “in-your-face”.”(The new logo) signals a change from an aggressive emphasis on price alone to slowly developing other competitive advantages,” Dr Ramaswami was quoted saying by Asia One.Samir Dixit, managing director at Brand Finance, said the new logo is “an attempt to erase the past and start afresh.”Tigerair Managing director Ho Yuen Sang also revealed the airliner’s plans for expansion of its air base in Malaysia based on increasing passenger demands.”We are looking at Ipoh, Kuala Terengganu and Kota Kinabalu as the new destinations for Tigerair. Currently, Tigerair stops in Penang and Kuala Lumpur,” said Ho at the unveiling of the new look, reported The Star Online.The airliner also aims to increase the number of passengers by about 20 per cent by March 2014 and it has leased six A320 airbuses. Tigerair had carried 4.5 million passengers in 2012.The firm had recently sold 60 percent of its holdings in its Australian subsidy to Richard Branson’s Virgin Australia.